Mussorgsky: Khovanshchina

Kent Nagano superbly masters the challenges presented by this score, shapes the dynamics with subtle intensity, and casts the score in a mellow glow. As Marfa, the spurned lover of Ivan Khovansky‘s son Andrei, Doris Soffel unfolds such a rich palette of sonorities, from the pathos of the lower ranges to shaded discant heights, that “one is tempted to speak of a Russian mezzo”. The final chorus, which Mussorgsky did not compose, is played in the orchestrally transparent version of Igor Stravinsky – the third great Russian composer who contributed to making “Khovanshchina“ a timeless, gripping stage work. With his stripped-down sets and historicising costumes, director Dmitri Tcherniakov, one of the new voices of contemporary Russian theatre, builds a bridge to the political present. A lesson in history and music!

Opera in 5 Acts

Release date : 2012-08-28

Production country :

Production company :
EuroArts

Durasi : 172 Min.

Popularity : 5

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Advantages of movie

Almost all films carry messages about love, struggle, justice, hope, or humanity that can inspire the audience.

movie Shortcomings

There are films that are too slow at the beginning and too fast at the end — or vice versa — making the audience easily bored or confused.